And I think we know a little bit more of what we can do. You can weed out stuff more quickly. The band is loose in such a way that doesn't come off the least bit sloppy — sleazy, but not sloppy. Sometimes we write separate and see if it works together, give each other suggestions. What's your approach in the studio? We've been playing music together for eight years now.
How is the next record going to be the same or different? Some songs will have a freak-out or a noisy part, and that can last a minute if we wanted it to. It also helps with the writing side of it, because there are certain things you can't do, or you have an idea that isn't working. I want it to be a rockin' record, pretty upbeat. That way it has a more live feel. Pierce and Eddy strolled into City offices for a sit-down to discuss the two-piece advantage and how they leave room for noise and chaos. There's space in there to let the music really flex and do its thing. We always do the drums and guitar at the same time. We've been playing music together for eight years now. I had two amps. And I think we know a little bit more of what we can do. I didn't know if it was working. Were there any kinks to get out, demons to exorcise? I've been listening to a lot of early rock 'n roll lately for the energy — People like Jerry Lee Lewis, Little Richard — and trying to absorb that energy. The guitar-and-drums duo's minimal approach leaves room for maximum energy in the space it leaves open. Was the plan always to be a duo? Then we played in Brooklyn a week or two later and it worked. Clayton is writing more now, so there's more of his influence on this record. We recorded a lot and tried different stuff, and what we wound up with was the two-piece where we played off of each other. We got lot of positive response, especially from the name. I feel the first record is darker than the stuff we're doing now — darker chords and stuff. How important is the noise and chaos in your sound? This is pure, unadulterated, chaotic rock n roll. We wanted something that people would remember. Two-piece performances are often more immediate and raw.
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